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He looks... good.
Well, Dante somehow always looks good – not that Nero will ever admit it aloud. His ego is big enough as it is. What would he do if he knew Nero thought the old, stupid cowboy-esque outfit was hot? How Dante even manages to be attractive while wearing at least five belts and chaps is a mystery. He doesn't need to know how Nero had secretly mourned when the outfit finally got replaced with the one with the too-long, dramatic coat. And he certainly doesn't need to know that Nero is now mourning that outfit too, because the coat did look good on Dante, and–
The point is that Dante looks good.
Dante comes home. Nero is a disaster.
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