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Summary
There is noise first. There is always noise at these things. Crowd noise, production noise, the low thrum of bass through a floor she has been standing on for three hours. She knows this floor. She's walked every inch of it.
She's on it now, differently.
The sequence of events is difficult to locate from this angle. There was the wing. The credential that was wrong. The man standing where no one with a legitimate pass would stand. There was the glint — metallic and catching the stage light for just a moment, the way things catch light when they're being raised and aimed, and she has been trained to see exactly that and nothing in her hesitated —
Then the floor.
OR
For five years, Mira has kept Rumi safe from a careful professional distance.
The distance ends on the floor of a concert venue with thirty thousand people gone silent around them.
Series
- Part 1 of I'll always be waiting (for you)
