doctoralhashimi
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(n): a pre-film animation device that produces the illusion of motion by displaying a sequence of drawings or photographs showing progressive phases of that motion
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Jack's five favorite photos of Samira.
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It’s one thing to step into spaces that existed before her and will, therefore, exist after her, too. If need be, Samira can rewrite the story at the end: a pilgrim, just passing through.
It’s another thing entirely, with real significance and stakes, to build something new with someone. She’s rarely ever had the impulse, was never really one to pass time daydreaming about what her wedding dress might look like, or her car, or her house. Her classmates always seemed to have skin in the game when they played M.A.S.H. in between bells or at the lunch table, but not Samira.
There’s something about Jack, though. With him, she’s able to picture so clearly what their home—their future—might look like. With him it’s easy, textured technicolor.
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Jack and Samira move in together.
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When Emma Nolan walks into the emergency department of Pittsburgh Trauma Medical Center for her first shift as an RN, she has a pretty good idea of what to expect. Having her bisexual awakening in a changing room that the colleague precipitating said awakening has just vacated is nowhere on the list.
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John has a habit of disturbing the quiet.
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In Samira’s defense, they do have a rule: as little phone usage as possible on the rare occasion that their time off overlaps. As with any rule, there are the customary exceptions—coverage emergencies, namely—but for the most part, they make do just fine, with phones coming out only to IMDB the occasional guest actor in a TV show or to bank some footage for later viewing, Samira cockdrunk and dewy faced as she peers up at the camera and at Jack behind it.
So when Jack’s phone goes off twenty-odd minutes into their movie, right at that sweet spot where they start paying less attention to the events on-screen in lieu of getting a little handsy, the look that Samira levels him with at the familiar ringtone is transparent: don’t you dare.
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A collection of Mohabbot blurbs.
Title from Victoria Chang's The Beach, 1964.
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glory and gore go hand in hand | cm ficlets by ssaemilyhotchner (doctoralhashimi)
Fandom Criminal Minds (US TV)
18 Nov 2025
Summary
Unrelated highlights from alpha and omega and Hotchniss Nano 2025.
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